continuing his prolific run of new material for the label, johannes heil continues to push forward with his >transitions< series, here collecting four more unique tracks for volume 2. opening with the serene calm and krautrock influenced >transition five<, a five minute piece that opens up a rich synth landscape full of space and texture, we then move onto the first of the eps two full-spectrum techno trips. hotly tipped for the summer as an essential festival and open air moment, the powerful and optimistic energy behind >transition six< is hard to ignore. that combined with heils extremely well sculpted and high-end production, the scene is set for madness to ensue… on the flip side we visit more paranoid zones with >transition seven<. building from a minimalistic stuttering rhythm, a soaring sci-fi soundtrack of strings and intricate synth patterns lift the tension, while dramatic sound effects crash and shimmer across the spectrum. this then prepares us for >transition eight<, in which we find johannes working his refined club-sound into yet further directions and angles. at once hypnotising and dominating in its driving bass register and captivating arrangement, a highly charged minimalist club tool for 2014 awaits!

for the second release on cb sessions christian teamed up with his old friend tomio tremmel, who is better known as -the sushi club- the guys spent some all night long sessions to tweak the gear. influenced by modular systems, the virus ti, tanzbär and the jomox 888 this ep offers a widespread variety of club sounds and results in three different electronic tunes, which are hard to describe … so you have to listen to it! also represented on this ep is italians best markus fix. since he has first heard christians -doubledub- he secretly trained everyday to sing the -supi dubi- hook. finally, after six years, he had the chance to present his skills in christians studio. don t miss the final tune - just supi dupi!

decadubs 3 is a vinyl-only companion-piece to hyperdubs next birthday collection cd, hyperdub 10.2 after 10.1, our first compilation of 10th anniversary dancefloor heaters, 10.2 features some of the labels best songs of the last five years, and this ep pulls tighter focus on six of that sets more body-moving moments.

tracking down el frijolero (nee michael brown) for an interview to mark the release of this record proved harder than initially anticipated. despite enjoying world-wide success throughout the late 90’s and early 2000s - as well as a whole slew of critically acclaimed releases – the us born producer has faded into relative obscurity after joining a religious cult in the secluded countryside of north rhine-westphalia, germany. his last confirmed sighting was from a friend six years ago, who told us that brown had left the cult after filing for insolvency. these previously unreleased remixes were found in a box of possessions in a friend’s basement. they encapsulate the unrivaled talent and technical mastery of a man whose musical career and financial euphoria came to an abrupt end. 200 copies - hand stamped

in the six years since the release of their last full-length record, naomi shelton & the gospel queens have toured extensively, playing main stages at some of the most prestigious festivals in the world, including bonnaroo, the monterey jazz festival, montreal pop, and the ottawa blues festival. though seasoned veterans, these years of touring played a major role in the creation of the twelve songs that we are so delighted to offer to you, our beloved daptone family. presenting: cold world. the vinyl lp comes with download code included.

after the release of his long awaited album, *sonic crusader*, mr flash is delivering a first ep around the track *midnight blue* in featuring with surahn from dfa records. the face a contains the original track and its instrumental version, as well as an unreleased track, *moonchild*, with groove, funk and a very dancefloor character that reminds us we are well in the ed bangers universe. on the face b features the remixes of *midnight blue* with an excellent techno/house version by jon convex and two other versions between electro-house and electronica by the italians margot. just like the album, the cover artwork is one of the 6 silkscreen printings from the double six collection by the artist yvaral (jean-pierre vasarely). download code included.

amir alexander together with dj traxx cant go wrong! and it sure doesnt, together they make a super dope ep feat. 4 chicago acid bombs, dont sleep!

superb 12” reissue featuring three of trinidadian soul legend billy ocean’s greatest dancefloor tracks from the early 80s. side a features the six and half minute special disco version of ‘stay the night’ - a bass-heavy grooving funk monster with punchy horns and billy’s smooth vocals over the top. flip over for big frankie knuckles play ‘nights (feel like getting down)’, a pedigree jazz-funk cut often considered one of his finest. and last but not least is the long 12” version of the massive disco classic and studio 54 staple ‘are you ready’. with every track a guaranteed floorfiller, don’t miss this chance to own them all on one loud-pressed 12”.

play it down is proud to present the very first original works from brillstein in the form of a six-track mini-album: back to bed. after his successful collaborations with jesse rose on two tracks from the whole twelve inches album, brillstein presented us with a slew of original works, remixes and club edits.

kidnap kid returns with a new single *stronger* which sees the award winning young london via sheffield, producer, real name matt relton, apply his singular touch to a six-and-half-minute dark and emotionally charged house epic. highlighted by expressive piano chords and a haunting vocal refrain. *stronger* displays the deft musical instincts and production flourishes that have singled him out as one of the uks hottest up and comers.

sean pineiro combines different musical elements to one stringent sound story, filled with anecdotes. the double vinyl lp includes a download code for the full album.

two years after his last ep terra incognita, poisson chat is back on pcm for a very special and personal record. wave memory, a mini album gathering six waves recorded throughout 2013, after the break-up of an important love story. this record is his diary, recounting his own experience about a meaningless, dark period in life.

• massive new title from papers versus clouds !!
• another fine bundle of established artists go head to head...
the 5th brothers installment sees papers and clouds on the collab and 4 new members to the brothers family. the a side is a broken techno track with filtered drums, laced with an acid hook that will keep people fixed to the dancefloor. b1, a 138bpm straight distorted driver with heavy euphoric strings and harsh syncopated percussion, finally b2 slows things down a little to 122bpm, taking parts of b1 and flipping it on its head with harsh grooving hats and a ripping synth...

first release of the berlin collective owners club ://about blank. a family affair is now going on with a label with six artists on a double ep, one house, one techno.

let -exu- under your skin and you will find a dream worth every breath and heartbeat it takes. this dream belongs to you now and it s up to you how you make it your own.

-exu- was written by andre kronert over a six month period. andre kronert, our hero of deep grooves, is a true knight of the electronic scene, a great supporter that never sleeps and always puts our music and our well-being first. without andre s helping hand and passion, things would surely not be the same.

andre, thank you for everything you do, for sharing your feelings and your dreams! stockholm limited

first pressing in bloody red, not transparent, 180g vinyl!

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

circling sydney as the most prodigious producers in their adopted home, tuff sherm (perth-born eugene hector / dro carey) and cassius select (canadas lavurn lee / guerre) guise-up for a split 12 that follows dros seven-date debut european tour, and cassius breakout one ep on gardlands hunter gatherer imprint. returning home after a string of releases via merok, ramp, opal tapes and the trilogy tapes, tuff sherm shifts the counter balanced brilliance of dro carey with beast numeral - a six minute succession of classic house jaunts.

whitesquare is already well known for his appearances on material abets this time we delivers the good on mrcarter 12inch grab it while its hot..!

ital & halal is the psychedelic new collaboration between shadowy producer aurora halal and planet mus iconoclastic ital. recorded over six months, each track is a spiraling world unto itself, coursing between strobing club anthems and ephemeral headtrips.

title track don t stop is a loose and playful thing that chucks loopy, circular drums, little vocal riffs, synth stabs and tumbling toms into the mix and lets them all groove along for almost six infectious minutes. its a spritely, silvery and slithering concoction that makes you shake your every limb. stare is a deeper, darker thing with rattling snares rolling over flappy kick drums and wobbling synths ducking in and out of the space left behind. its a tumultuous, drum lead affair that toys with your expectation, threatening to drop or explode but never quite doing so, instead keeping you right on the edge of your seat throughout. the final offering is nian which again has super well defined drums and hits all tumbling and sparking off each other. it s spacious stuff, too, and the indecipherable foreign language vocals add another layer of intrigue to what is already a fascinating cut.

part six of the nonnative series featuring par grindvik, adriana lopez, etapp kyle & israel vines.

these six mossy drone compositions seem to reflect de tapols interest in climatic music.

ann arbors trees drops this wicked ep, six slices of lush, each on their own planet but part of the same galaxy, where techno, hip-hop and house rub up against jazz, kraut-rock and african percussion.

jorge velez returns to l.i.e.s. with his first effort since 2012s hassan lp. through this six track lp we see the ultra versatile velez weave seamlessly through numerous strains of electronics. very decent stuff - sure to fly out and unlikely to come back any time soon. tip!

oblique soundsystem murderers from the trio of amos childs, seb gainsborough (vessel) and sam kidel - members of bristols noted young echo collective. killing sound make their full recorded debut on this self-titled 2x12 inch, with four tracks cut obnoxiously loud across four sides by matt colton at alchemy.

nach seiner vielbeachteten compilation *nuggets 3* aus 2013 veröffentlicht der electronica-veteran luke vibert sein neues studioalbum auf dem jungen, ambitionierten hypercolour-label. *ridmik* ist eine hommage an den legendären roland tb-303 bassline-computer und knüpft an viberts warp-single *i love acid* aus 2003 an.

if you have ever wondered what it would have sounded like if can grew up going to see ron hardy at the music box and then recorded an album together with francis bebey in the congo, the debut record from black deer may be just for you.
the work of prolific brooklynite william burnett, whose aliases include willie burns, grackle, speculator, galaxy toobin (with eliot lipp), pg&s (with jorge velez) and smackulator (with legowelt) is psychedelic in the truest sense of the world. sprawled across six tracks, burnett fuses various outsider loner genres unto one definitive vision quest all his own, that of the black deer.
limited edition of 400 copies with hand assembled black foiled museum board on silkscreened covers. features fold-out poster and stamped labels by artist marion guillet.

2014 repress
box aus holz and their in-house star max graef have, over the course of six very special releases quietly worked their way into the dancers hearts and the djs charts. a steady supply of loose, hook heavy and beautifully crafted sample jams have really set the label apart we’re very happy to have them join us, with this, their seventh release. another various artists selection, ranging from typically irresistible graef workouts to roughed up sample house, via deftly crafted head-nodders and crisp electro. 100% quality cuts all the way.

after a debut ep and a deep second one this time carlo zanelli has released a six tracks ep based upon a recording session done a couple of years before. every track have his unique character and the entire ep is intended more as a journey rather than a collection of different tracks making this a complete work ranging from ambient tracks to more danceable ones.

nice price deal !!! bio rhythm seems to be spiralling deeper & deeper into the rabbit hole. six brand new tracks by villa abo (a frak side project) and his first release since the 1997 borft releases. actually the short sound clips here dont do justice. fix yourself the full-length audio package and get lost on the other side through these six little scandinavian fairy tales full of desolate techno mysticizm, pressed on 2x12inch for maximum dj delight. the spirits have spoken. sky channel is all you need! limited to 300 copies.

gacha is a young artist originally from georgia, now operating in berlin, this second ep for apollo records is an excellent six tracker that fits the apollo chillout manifesto perfectly. his music is a cinematic, glacial mix of beautiful melodies, treated guitars and tender drum programming, and two tracks on this release see him working in tandem with natalie beridze who adds her ethereal vocals for standout tracks *saysea* and *atlas*. elsewhere on the ep gacha continues the form of his last ep, working his influences from classic electronica to garage into his trademark deep and atmospheric sound.

massive ultradyne six tracker for the pi gao movement imprint. going from soulful dark electro tracks to more lighter excursions with reincarnate bringing old bitstream productions to mind.. 200 copies huge tip!!

with the new release 1112013 stopping outwards, the >numbers trilogy< comes to a conclusion - a milestone in the young life of stochastic resonance collective. the work of six artists focusing on the same research which shows how the common language of electronic experimentation can be the basis of many different variations.

soundtravels recordings proudly presents point of view part 1. we have compiled six contemporary, electronic bombs from artists all around europe.. for some we didnt have to travel that far though...

vessel no 6 is airborn and your cabin crew serves you three gems on wax, road-, air- and space- tested throughout the last six months. a1 is a straight groover with an undeniable feelgood vocal, carfully rearranged for your dj needs. first officer nebraska joint ventures the record on b1 with an emotional, ever building piece of jazz funk and reminds us once more of how the art of editing has to be approached. with so much hoopla already going on, b2 leans back, happy to strip it all down and hitting us with a break that starts, floats, and then, lucky audience, just dont stop. dont stop, dont stop, over and out.

nobody knows where these guys were beforehand, but this record is a real hit. a new release has emerged from an equally new label - detroit techno archive it reflects the labels name perfectly. the 12inch recording includes six wonderful detroit techno tracks, from a couple of artists. the first associations that come to mind are detroit legends like underground resistance, derrick may, stacey pullen, kenny larkin, and octave one. youll find some old-school techno with a rich groove, multilayered melodies, and some great stories behind them. this is real hi-tech jazz.

ltd to 300 copies , vinyl only
their first >noiretson<-release >dewdropper< is a triple-treat of jazzed-up deep house. shine box dwells on classy fifty and sixty jazz aesthetics in gesture and attitude. the dewdrops they showcase bear the stripped-down touch of minor piano-chords and syncopated swing patterns all over the place.

the year 2013 is coming to an end and we present you a special goody with the catalog number 013 to close it up. rising sun is back with his second ep for fauxpas musik. the pause ep comes as a vinyl only release. six beautiful & innovative house music delicacies - a timeless beauty that has been pressed into colored vinyl. also, our friend paedie & design konzept from alex ketzer did the artwork. vinyl tastes better

journey through vivid sonic currents and states which might as well be regarded as rashims magnum opus: the 006 release on arr is a new height delivered as a mini album. the more basic and primal spirit of this release encapsulates rashims music in a way which makes total sense. bound over six tracks, they all display a different perspective of this dramatic colossus.

now hitting release number six, fly by night music serves up something slightly different from riccio (bosconi // super value), complete with a remix from craig smith (6th borough project), for its latest offering. this is an equally classy release but more of an obvious disco tip. coming in a press of 200 limited blue vinyl and a letter press sleeve, this is another boutique package from fbnm. the man behind the jungle way ep is italian riccardo zanaroli aka riccio, who most recently appeared on the widely lauded bosconi compilation bosconi stallions. a dj, collector, producer and record seller, riccio is a staple on the italian scene and brings plenty of louche disco funk to this release.

with six years of covetable releases under its belt its safe to say that erol alkans flourishing phantasy label is well on its way to establishing itself as the uks preeminent purveyor of independent music. 2013 has been a particularly golden year with daniel averys critically acclaimed debut lp dropping in early october, sao paulo wunderkind babe, terrors btu project with man make musics u, recent collaborations with emperor machines andy meecham as future four and disco mavericks in flagranti and a slice of perfect summer pop from nadia ksaiba, not to mention connan mockasins upcoming sophomore opus caramel and the debut release from mysterious new signing ghost culture.

approaching theomatics tenth anniversary, andrey zakharov aka an-2 brings together sunset stories, the first true long play released on the label. the six tracks , including previously unreleased ode to andromeda and elegy fm, represent an-2s very best production from 2006 to 2011.

andreas gehm returns to abstract acid with another series of dark and demented basement jams. >a groove ep< features six tracks of his signature style so you know what to expect – its no frills, no nonsense, straight up jack your body business, made for those who still love the sound of that little silver box. limited to 300 copies.

melbournian multi-hyphenate luke brown has his hands in a lot of pots, having dug deep in his dj duo with ricardo ramos, leslie salvador, as well as his ongoing death-disco / dark-synth revisionist twosome, negativ magick. but the past few years have found him exploring more classic, scruffed-up analog house terrain via his latest alias les level, and his six-track debut is purist uncut club gold. bookended by a pair of of mixes of the stellar neo-chicago anthem *house of need*, the rest of the tracks prowl through a host of suave, shuffling, strictly rhythmic variations, from the 3 am skyline seducer *smooth sailing* to the pumping, jazzy jack-groove *working nights*. an expert assemblage by a nuanced craftsman with style to burn.

with previous releases on influential labels hotflush, aus and hypercolour, george fitzgerald has joined a new home, signing to domino offshoot double six. kicking off his inauguration is new single i can tell (by the way you move), a house cut which set the 7.000+ strong crowd at ushuaia in ibiza moving last week as he went back to back with radio 1s pete tong, a relationship that kicked off earlier this year with georges radio 1 essential mix.

apocalyptic horror-core ... in a good way!
2013 keeps getting busier at the skudge headquarters as we re now proud to introduce mrsks latest project, a journey beyond techno that almost takes a shamanistic turn. in his new smell the flesh guise, the man delivers six cuts of eerie beats, challenging his western esthetics with a nonetheless complex yet primal approach.

six massive remixes for depeche modes *should be higher*.

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

second release for the athens based recording label lower parts and debut 12inch for the also athens based producer faint object i. three tracks flirting with the dancefloor sound, filled with space boogie vibes and dub infused house stories of darkened figures hypnotized by his magical, uk-influenced dancehall rhythms. startling by all means .only harmony seeds an extra deep subtle warm techno track , some dub influences but brighter beats too for house appeal. tropical sting an electro influenced track , stiff and sharp drum groove , and sizzling analog synths if six was nine is the closing bang, a darkened techno-dance steroid that never lets go its melodism for the shake of the form. aggressive like a machine gun and unearthly cosmic like it has been conceived in the twilight zone, this is a haunting piece of pure bliss! plus it offers one of the best twists in a track that youll get to hear recently mastered by helmut erler and cuted at dubplates & mastering a limited edition of 200 pieces printed in a unique iridescent sleeve illustration by chris ioannou